After
the series of undercover
films by the Center for Medical Progress showing high-ranking Planned
Parenthood executives negotiating the sale of fetal body parts, the House had
no trouble passing a bill freezing funding for Planned Parenthood for a year.
This was in spite of efforts on college campuses by performance artist Rhodessa
Jones, sympathetic professors, and, at Hamilton College, about a dozen
representatives from the Planned Parenthood Mohawk Hudson.
Jones
specializes in working with women in prison and with HIV across the country and
in Russia and South Africa. She has also enjoyed lucrative gigs on college
campuses, such as at the University
of Wisconsin-Madison. She was recently appointed a visiting professor at St.
Mary’s College.
But she
has enjoyed regular visits to Hamilton College since at least 2004, when she
performed “Big
Butt Girls, Hard-Headed Women.” In addition to getting funding from campus
social justice programs and various academic departments, Jones receives grants
from the National Endowment for the Arts, private foundations, and local and
state arts programs. She also collaborates with Planned Parenthood.
Her
visit last week came just in time to encourage students to call Congressman
Richard Hanna and encourage him to vote against the bill to defund Planned
Parenthood. He was one of three Republicans to do so on September 18. The
Senate is trying to fast-track
the bill.
On Constitution Day, September 17, Jones gave the second of her two
talks on campus. Among the students and professors in the Kennedy Auditorium
were about a dozen representatives from Planned Parenthood. Jones had shown
previews of her film called “Birthright,” which she told students was about
“honoring” and “standing with Planned Parenthood.” Near the end of the long
question-and-answer session, Professor of Comparative Literature Nancy
Rabinowitz encouraged the largely female audience to present any question
that would challenge what had been said. She implied that free debate was
encouraged. “If you have an objection, please speak up,” she said, reminding
the students that the campus event was intended to be “educational.”
Two days
previously, during her introduction to Jones’s first talk, Rabinowitz had
encouraged students to participate in all the activities offered during the
week related to Jones’s residency: drama workshops, meals, and the September 17
showing of “Birthright” with “open discussion” afterward. Until the last few
minutes of the “open discussion” period at the end of the second lecture no
mention had been made of a possible alternative view. In fact, Rabinowitz had
launched off the first day by ominously warning that “the right to choose” is
“under attack right now.”
Jones
herself had opened her first lecture by reaffirming Rabinowitz and dramatically
declaring that we must “trust women” to make their own choices. The women
“acting” in her films repeated the message. The clips that were shown on
September 17 were testimonials to Planned Parenthood. That should not be
surprising because the film was a joint project of Jones’s non-profit
performance company, Cultural Odyssey, and Planned Parenthood of Northern
California. The topic of selling of fetal body parts by Planned Parenthood was
never mentioned. The upcoming vote by Congress to defund Planned Parenthood was
simply presented as unjustified.
On a
campus where many professors insult dissenting students in class or punish them
with low grades it would take an extreme amount of self-confidence to accept
Rabinowitz’s invitation. Such a student was surrounded by about a hundred of
her peers, several professors, and representatives from Planned Parenthood. The
film clips had shown testimonials by women who had undergone horrific
experiences of childhood rape, addiction, and abuse. Several board members and
employees of the local Planned Parenthood had stood up to present the benefits
of Planned Parenthood. One who is involved in public affairs urged students to
call “longtime supporter and wonderful advocate” Congressman Richard Hanna, whose number she wrote on the
blackboard from memory. Hanna, she said, was hearing from “anti-woman,
anti-choice” constituents, so needed to hear from them. She urged students to
call the next day, reciting a script for them. Students were also encouraged to
register to vote and vote for pro-choice candidates. The next day Hanna went
against his party that had voted for the bill to defund Planned Parenthood.
One
student did
accept Rabinowitz’s invitation to question the points made, but only in the
meekest form possible. She presented a question in the form of a hypothetical.
What about the claims that “some people” make about the “potential for life?”
she asked. This was a counter to the preceding steady message about women’s choices, the decades-old slogan
about having control over one’s future, not having a baby until one is “ready,”
and so forth. In fact, it had been presented as crueler to subject a child to a
life of potential poverty, hunger, and abuse than to abort it. The student
tentatively presented a counter-argument: the “other side” said that in spite
of not having all the advantages, an unplanned child could still enjoy life.
The
student had plenty of people to answer her question.
A
biology professor repeated what he said he told his classes: that the same standard as
the biological standard for death could be applied to preborn life. Death is
determined by the end of brainwaves, he said. Brainwaves and “consciousness” do
not appear until the third trimester, so the fetus was not really alive until
the third trimester.
Philosophy
professor Katheryn
Doran, who had introduced Jones that day and who is also vice chair of the
local board of directors of Planned Parenthood Mohawk Hudson, responded by
implying that this was similar to the “faux feminist” argument that claims that
the real oppression occurs when women are put into the position of having an
abortion. It’s about “choice,” she asserted to a lot of head-nodding in the
audience.
A man in
the audience then stood up and introduced himself as the CEO of Planned
Parenthood. This was Kim
Atkins. He stated that Planned Parenthood was in the position of preventing
the “situations” that require abortion. That means making contraception readily
available. “We share the vision to reduce abortion,” he said, while adding that
everybody should have the right to make the “choice” for herself of whether or
not to have an abortion.
More testimony came as a few women admitted to having had
abortions and having no regrets. A student who had interned at Planned
Parenthood gave a plug. A Planned Parenthood representative testified that the
abortion pill made a first trimester abortion a private and relatively easy
procedure. Some repeated the advice given by Planned Parenthood counselors to
young women with unplanned pregnancies: that this is the best choice that you
can make now and that you are being a “good mother” by having an abortion. Any
“regrets” result from hormonal changes, which are temporary.
Jones’s visit had been billed as an exploration of the role of myth. Indeed, Rabinowitz had stated that it was during the teaching of Medea that she had discovered Jones’s work. Medea, Euripides’s tragedy about a woman who murders her two children in revenge for her husband’s philandering, has become a signature play for feminists because of the sympathetic portrayal of Medea.
The
presentation ended at 6:00 p.m., right before a dinner for the attendees.
Rabinowitz closed out by telling the audience that she had forgotten to mention
that the event was funded by the Literature and Creative Writing Department, in
addition to the other departments, such as Classics and Philosophy (as well as
the Levitt Center and other offices). Rabinowitz also encouraged students to
attend the Black Lives Matter event the following day, stating that they were
privileged to have one of the founders, Alicia
Garza, speak.
Jones’s visit had been billed as an exploration of the role of myth. Indeed, Rabinowitz had stated that it was during the teaching of Medea that she had discovered Jones’s work. Medea, Euripides’s tragedy about a woman who murders her two children in revenge for her husband’s philandering, has become a signature play for feminists because of the sympathetic portrayal of Medea.
But even
that much was not mentioned during Jones’s talks. Nor was there anything
remotely related to literature or philosophy. Instead, students received a lot
of indoctrination, while being subjected to amateurish theater. A large part of
the credit goes to Nancy Rabinowitz, who continues to use her position to bring
radical friends to the college, even after her attempts to bring Ward Churchill
and Susan Rosenberg were stymied. But Rhodessa Jones served the purpose just as
well, as will be revealed in the next installment
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